| TITLE |
AUTHOR / ARTIST |
YEAR |
PUBLISHER |
FORMAT / SIZE |
COLOR |
ISSUE |
|
| FREE WORLD |
Aaron Rose |
2008 |
Givens Field Reference |
tabloid |
color |
|
|
| GRAND BAU |
Angela Grasser |
|
unique piece |
|
colour |
|
|
| Zeichnungen |
Angela Grasser |
2001 |
unique piece |
book with collages |
clour |
|
|
| THE FLESH |
anonymous |
2007 |
|
A4 photocopy |
b/w |
|
|
| 23, 24 & 25 PIECES |
Allen Ruppersberg |
2007 |
JRP Editions |
book |
b/w |
|
|
| Letter to a Friend |
Allen Ruppersberg |
1998 |
Portikus Frankfurt an Main |
book |
color |
|
|
| SUPER PERESTROIJKA |
Ania Corcilius (ed.) |
2009 |
AG Homestories |
tabloid |
pink paper and black text |
|
| Corrections and Clarifications |
Anita DiBianco |
2001 - 2002 |
Kunsthaus Zurich |
broad sheet |
b/w |
1 |
|
| Corrections and Clarifications |
Anita DiBianco |
2005 |
Kunsthaus Zurich |
broad sheet |
b/w |
2 |
|
| Corrections and Clarifications |
Anita DiBianco |
2007 |
Kunsthaus Zurich |
broad sheet |
b/w |
3 |
|
| Corrections and Clarifications |
Anita DiBianco |
2008 |
Kunsthaus Zurich |
broad sheet |
b/w |
4 |
|
| Corrections and Clarifications |
Anita DiBianco |
2010 |
Kunsthaus Zurich |
broad sheet |
b/w |
5 |
|
| Der Zeitungsausschnitt, Ein Papierobjekt
der Moderne |
Anke te Heesen |
2006 |
Fischer Taschenbuch Verlag |
book |
b/w |
|
|
| BRAD DOWNEY WAS HERE |
Brad Downey |
2008 |
unique piece |
feltpen on broadsheet |
color |
|
|
| Daily Executioner |
Brendan Fowler (ed.) |
2007 |
Showpaper |
broadsheet/poster |
b/w and color |
|
| Capri |
Caroline Brockbank/Kate Grieve (ed.) |
2004 |
selfpublished |
tabloid |
color |
|
|
| PICPUS 1 |
Charles Asprey & Simon Grant (ed.) |
2010 |
|
single page |
b/w |
|
|
| PICPUS 2 |
Charles Asprey & Simon Grant (ed.) |
2010 |
|
single page |
b/w |
|
|
| PICPUS 3 |
Charles Asprey & Simon Grant (ed.) |
2010 |
|
single page |
b/w |
|
|
| State of Emergency |
Chto delat |
2006 |
Kiasma Museum of Contemporary Art |
tabloid |
b/w |
8 |
|
| State of Emergency |
Chto delat |
|
Kiasma Museum of Contemporary Art |
tabloid |
b/w |
9 |
|
| State of Emergency |
Chto delat |
2009 |
Kiasma Museum of Contemporary Art |
tabloid |
b/w |
11 |
|
| Repartir à Zéro |
Claude Closky |
2009 |
(U) L. S |
berliner |
b/w |
4 |
|
| HEIL DICH DOCH SELBST - DIE FLICK
COLLECTION WIRD GESCHLOSSEN |
Clemens Krümmel (ed.) |
2005 |
insert to tageszeitung (ed. 90 000) |
b/w |
|
|
| carte blanche à Daniel Buren |
Daniel Buren |
2010 |
(U) L. S |
berliner |
b/w |
7 |
|
| Fast food - slow gym |
Dan Perjovschi |
2008 |
bs1 project |
tabloid |
|
|
|
| NO WORK NO CLASS |
Dan Perjovschi |
2009 |
Bergamo Film Meeting |
tabloid |
|
|
|
| THE END OF LIVING, THE BEGINNING OF
SURVIVAL |
Dash Snow |
2007 |
Contemporary Fine Arts |
book |
color |
|
|
| All the News That's Fit To Devastate |
David Greg Harth |
2010 |
chasama |
|
|
|
|
| For You the Sky |
David Horwitz |
2007 |
selfpublished |
broadsheet/poster |
color |
|
|
| Terra |
David Keating |
2010 |
unique piece |
water color on broadsheet |
color |
|
|
| AINE |
David Lasnier |
2010 |
self published |
laminated page |
b/w |
|
|
| DOT DOT DOT |
dexter sinister |
2010 |
DEXTER SINISTER |
book |
color |
|
|
| extrablatt |
die tageszeitung |
2004 |
die tageszeitung |
broadsheet |
color |
|
|
| Les Trophées |
Documentation Céline Duval |
2008 |
(U) L. S |
berliner |
b/w |
N. 0 |
|
| Donald Parsnips Daily Journal |
Donald Parsnips |
1995 |
self published |
photocopy |
b/w |
|
|
| Donald Parsnips Daily Journal: The
shock of lobster Recognition |
Donald Parsnips |
1996 |
self published |
photocopy |
b/w |
|
|
| LOCAL PAPER Suggestions Box |
Eleanor Vonne Brown |
|
|
single page |
|
|
|
| A Long Walk |
RED76 |
2007 |
|
single page |
|
|
|
| 100 Days Since Gaza Correspondent
Kidnapped |
Eleanor Vonne Brown |
2007 |
Art after parties |
tabloid |
b/w |
|
|
| THE NEWPAPER |
Eleanor Vonne Brown (ed.) |
2008 |
T/EXT/ART/ London and "greatest
hits" |
tabloid |
b/w |
2 |
|
| THE NEWPAPER |
Eleanor Vonne Brown (ed.) |
2007 |
T/EXT/ART/ London and "greatest
hits" |
broad sheet |
b/w |
2 |
|
| Dead Body Dial 999 |
Elizabeth Price |
2003 |
dot. |
tabloid |
b/w |
|
|
| the High Horse |
Emma Jackson & Isabel Waidner |
2007 |
The High Horse |
broadsheet |
b/w |
|
|
| Il n'y a pas d'images rares (Aphorismes
pour un manifeste dérisoire) |
Eric Watier |
2009 |
(U) L. S |
berliner |
b/w |
h/s |
|
| "4 de Abril 2002 México D.F. Material
Impreso" |
Erick Beltran |
2002 |
Centre for Contemporary Art Rotterdam |
b/w |
|
|
| Soutend Yellow Advertiser |
Erik Blinderman |
2009 |
Focal Point Gallery |
tabloid |
color |
|
|
| ARCHIVO |
Erik van der Weijde |
|
Archivonews.com |
broad sheet |
color |
|
|
| DOCTA |
Erol Gemma and Nazareno |
2009 |
Viewers Digest |
taboid |
color |
|
|
| CRUSHED STUNNED CATS BEHEADED |
Eva Weinmayr |
2006 |
self published |
CD and booklet |
b/w |
|
|
| "Eva Weinmayr" |
Eva Weinmayr |
2008 |
Contemporary Art Museum Sant Louis |
color |
|
|
| SUITCASE BODY IS MISSING WOMAN |
Eva Weinmayr |
2005 |
Book Works |
book |
b/w |
|
|
| WATER FOUND ON MARS |
Eva Weinmayr and Gutstav Metzger |
2006 |
Hatje Cantz |
book |
color |
|
|
| Mythological Machine |
Francesco Manacorda |
2004 |
University of Warwick |
tabloid |
b/w |
|
|
| ALL THE WORLD'S FIGHTER PLANES |
Fiona Banner |
2006 |
The Vanity Press |
book |
color |
|
|
| THE BASTARD WORD |
Fiona Banner |
2008 |
The Power Plant |
berliner |
color |
|
|
| Some Untitled photographs |
Foerster |
2007 |
self published |
A4 |
color |
|
|
| The cover is a polaroid of Julie sneezing |
Foerster |
2007 |
self published |
tabloid |
color |
|
|
| THE NATURE OF THE BEAST GUERNICA |
Goshka Macuga |
2009-10 |
Whitechapel Gallerz |
tabloid |
b/w and color |
|
| BILDerbuch |
Günter Wallraff |
1985 |
Steidl Verlag |
book |
b/w |
|
|
| Der Aufmacher. Der Mann, der bei
Bild Hans Esser war |
Günter Wallraff |
1977 |
Verlag P38 |
book |
b/w |
|
|
| Fin de Copenhague |
Guy Debord, Asger Jorn |
1957/2001 |
Editions Allia |
book |
|
|
|
| Kunstzeitung Zeitungskunst |
Guy Schraenen (ed.) |
1996 |
Neues Museum Weserburg Bremen in collaboration
with Kreiszeitung |
broad sheet |
b/w and color |
|
| Zeitungsphotos |
Hans-Peter Feldmann |
2006 |
Verlag der Buchhandlung Walther König |
book |
color |
|
|
| ARCHIVO |
Harold Strak |
|
Archivonews.com |
broad sheet |
color |
|
|
| Brecht die Macht der Manipulatoren |
Helke Sander |
1970 |
|
film (video) |
b/w |
|
|
| Die Blassen Herren mit den Mokkatassen |
Herta Müller |
2005 |
Hanser |
book |
color |
|
|
| Erlebnisse mit Tieren, HUNDE |
Hildegard Karnath |
1962 - 2000 |
unique piece |
glue book |
b/w and color |
1 |
|
| ART NEWS |
Hugh Mendes |
2004 |
selfpublished |
poster |
b/w |
|
|
| OBITUARIES |
Hugh Mendes |
2008 |
Fishmarket Publications |
book |
color |
|
|
| Old news n. 4 |
Jacob Fabricius (ed.) |
2007 |
|
broad sheet |
b/w and color |
4 |
|
| Old news n. 3 |
Jacob Fabricius (ed.) |
2006 |
Pork Salad Press, copublisher: CNEAI and CGAC |
broad sheet |
b/w and color |
3 |
|
| Old news n. 2 |
Jacob Fabricius (ed.) |
|
Pork Salad Press |
broad sheet |
b/w and color |
2 |
|
| Old news n. 1 |
Jacob Fabricius (ed.) |
|
Pork Salad Press |
tabloid |
b/w and color |
1 |
|
| Último Mundo Universal |
Javier Rodríguez |
2010 |
Historiarte A.C. |
tabloid |
color |
|
|
| ONE BY TWO |
Jerry Kearns and Al Souza |
1973 |
Sweet Betty's Press |
book |
b/w |
|
|
| Eye |
Jochem Hendriks |
2001 |
San Franzisco MOMA |
b/w |
|
|
| Eye movement newspaper |
Jochem Hendriks |
1994 |
self published |
broad sheet |
b/w |
|
|
| Wordsearch |
Karin Sander |
2002 |
Deutsche Bank - New York Times |
broad sheet |
b/w and color |
|
| Day |
Kenneth Goldsmith |
2003 |
The Figures |
book |
b/w |
|
|
| VINTAGE TIME PHOTOGRAPHY |
Kishin Shinoyama |
2009 |
Artbeat publishers Co., ltd |
b/w |
|
|
| EPHEMERIDE |
Konstantinos Ignatiadis |
2007 |
selfpublished |
tabloid |
b/w |
|
|
| The Stratford Grapevine |
Lucy Harrison |
2008 |
Art on the Underground |
berliner |
color |
|
|
| Curculio Bassos |
Mark Manders |
|
|
broad sheet |
b/w |
|
|
| Sonantal Lush |
Mark Manders |
|
|
tabloid |
b/w |
|
|
| ARCHIVO |
Martin Parr |
|
Archivonews.com |
broad sheet |
color |
|
|
| Matt Bryans |
Matt Bryans |
2007 |
Kate Mcgarry |
book |
b |
|
|
| "POST" HEADLINES |
Matthew Geller |
1992 |
Works Press |
book |
b/w |
|
|
| the narrows 03 |
Matt Hinkley |
2009 |
The Narrows |
leporello |
color |
|
|
| Black and White and Red all Over |
Matt Murphy |
2010 |
unique piece |
painting |
color |
|
|
| Black and White and Red all Over
(2nd version) |
Matt Murphy |
2010 |
unique piece |
painting |
color |
|
|
| Perfect Murder |
Max Schumann (ed.) |
1992 |
San Franzisco Camerawork |
tabloid |
b/w |
|
|
| Truth is concrete but the concrete
is abstract |
Michael Baers |
2007 |
Meta-Comics |
tabloid |
b/w |
|
|
| Wavelenght |
Michael Baers |
2008 |
Floating ip, Center for Book Arts New York |
berliner |
blue color |
|
|
| Five Dollar Reward |
Michael Baers |
2005 |
Meta-Comics |
tabloid |
b/w |
|
|
| , (from the untitled(poems)
series) |
Michalis Pichler |
2007 |
unique piece |
tabloid |
color |
|
|
| ART BIN SLG 26 |
Michael Landy |
2010 |
South London Gallery |
broad sheet |
b/w and color |
|
| GODZILLA ROARS! (from the "WAR"
diary series) |
Michalis Pichler |
2005 |
drawing on newspaper |
ink on broad sheet |
b/w |
|
| SUICIDE BOMBS (from the "WAR"
diary series) |
Michalis Pichler |
2005 |
drawing on newspaper |
ink on broad sheet |
b/w |
|
| "WAR" diary |
Michalis Pichler |
2005 |
drawing on newspaper |
broad sheet |
b/w |
|
|
| Some fallen umbrellas and something
else |
Michalis Pichler |
2008 |
(U) L. S |
berliner |
b/w |
1 |
|
| New York Times Flag Profile |
Michalis Pichler |
2002 |
self published |
broad sheet |
color |
|
|
| Hearts |
Michalis Pichler |
2008 |
Revolver |
book |
color |
|
|
| i fell in love |
Michalis Pichler |
2006 |
Printed Matter, Inc. |
tabloid |
b/w |
|
|
| i fell out of love |
Michalis Pichler |
2006 |
Printed Matter, Inc. |
tabloid |
b/w |
|
|
| goethe |
Michalis Pichler |
2002 |
selfpublished |
book (xerox) |
b/w |
|
|
| ARE YOU READY |
Michalis Pichler |
2002 |
selfpublished |
broadsheet/poster |
b/w |
|
|
| New York Garbage Flag Profile |
Michalis Pichler |
2005 |
Revolver |
book |
color and b/w |
|
| Les dés sont pipés (Ackermann) |
Michalis Pichler |
2007 |
self published |
broadsheet/poster |
b/w |
|
|
| Les dés sont pipés (embeded newspaper) |
Michalis Pichler |
2007 |
self published |
broadsheet/poster |
b/w |
|
|
| Pichler Pichler |
Michalis Pichler |
2007 |
self published |
tabloid |
b/w |
|
|
| Swamp Gas Gazette |
Mike Kelley, Jim Shaw, Cary Loren (ed.) |
2002 |
Destroy All Monsters |
tabloid |
b/w |
|
|
| Libro n.2 |
Mirtha Dermisache |
2005 |
Manglar |
broad sheet |
b/w |
|
|
| "AS FALLS WATER, SO FALLS WATERFALLS" |
Misha Hollenbachwater |
2009 |
selfpublished |
loose leaves |
color |
|
|
| Artistbook International |
Nathalie Amaé (curateur) |
2008 |
(U) L. S |
berliner |
b/w |
3 |
|
| The Road to Ruin |
Olivier Plender |
2006 |
Self Published |
tabloid |
b/w |
|
|
| OSCARLSON |
Oscar Carlson |
2008 |
Self Published |
tabloid |
b/w |
|
|
| STONE MILK |
Petr Bystrov (ed.) |
2006 |
Elena Kovylina |
tabloid |
b/w |
|
|
| Ecart |
Peter Downsbrough |
2008 |
(U) L. S |
berliner |
b/w |
2 |
|
| Zeitung |
Peter Piller |
2008 |
JRP Editions |
book |
|
|
|
| Archiv Peter Piller, Band 1, Durchsucht
und versiegelt |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 2, Diese
Unbekannten |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 3, Noch
ist nichts zu sehen |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 4, Die Verantwortlichen sind einstimmig |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 5, Schandfleck/Schmuckstück |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 6, Stein
des Anstoßes |
Peter Piller |
2002 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 7, Regionales
Leuchten |
Peter Piller |
2004 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 8, Auto
berühren |
Peter Piller |
2004 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 9, (Pfeil) |
Peter Piller |
2006 |
Revolver |
book |
|
|
|
| Archiv Peter Piller, Band 10, Bedeutungsflächen |
Peter Piller |
2006 |
Revolver |
book |
|
|
|
| Les Dix Mille |
Pierre Leguillon |
2010 |
(U) L. S |
berliner |
b/w |
6 |
|
| Dégradés |
Pierre-Olivier Arnaud |
2009 |
(U) L. S |
berliner |
b/w |
5 |
|
| Newspapers |
Siemon Allen |
2004 |
Anderson gallery |
book |
color |
|
|
| Mono 1 |
Steve Bishop (ed. ) |
2009 |
self published |
tabloid |
b/w |
|
|
| Mono 2 |
Steve Bishop (ed. ) |
2010 |
self published |
tabloid |
b/w |
|
|
| The New York Times |
The Yes Man |
2009 |
self published |
berliner |
color |
|
|
| New York Post |
The Yes Men |
2009 |
self published |
mini tabloid |
color |
|
|
| International Herald Tribune |
The Yes Man |
2009 |
self published |
berliner |
color |
|
|
| Eine Stadtrundfahrt in Berlin mit
Thijs groot Wassink |
Thijs groot Wassink |
2005 |
Modderman Drukwerk |
tabloid |
color |
|
|
| PAINTINGS |
Tony Swain |
2008 |
DuMont |
book |
color |
|
|
| ODDLY |
Uriel Orlow |
2009 |
|
tabloid |
b/w |
|
|
| Les Complices |
Uriel Orlow |
2009 |
edition fink |
tabloid |
color |
|
|
| RE:Search |
V. Vale (ed.) |
1981 |
Re/Search |
berliner |
b/w |
|
|
| ARCHIVO |
Willem van Zoetendaal |
|
Archivonews.com |
broad sheet |
color |
|
|
| SOLDIERS The Nineties |
Wolfgang Tillmans |
1999 |
Verlag der Buchhandlung Walther König |
book |
b/w |
|
|
| TOKYOPHOTOZINE SPECIAL 01 |
Yuhki Touyama |
2009 |
G/P Gallerz+Artbeat Publishers |
b/w |
|
|
| ZEFREY (doggy style) |
Zefrey Throwell |
2009 |
|
broadsheet/poster |
|
|
|
| ZEFREY (blow job) |
Zefrey Throwell |
2009 |
|
|
|
|
|
| Invisible Man Paper |
|
2009 |
G/P Gallery |
|
color |
|
|
| Rhubarb |
|
2008 |
Slade School of Art |
tabloid |
b/w |
|
|
| THE INTERNET IN PRINT |
|
2008 |
|
tabloid |
b/w |
|
|
| ARC |
|
2005 |
Royal College of Art |
broad sheet |
b/w and color |
|
| YOU ARE HERE |
|
2009 |
Climate Camp |
tabloid |
color and b/w |
|
| |
|
|
|
|
|
|
|
Thank you to all the artists and contributors.
|
Kat Topaz,
Mark McGowan (newpaper), Vibeke Tandberg, Stephen Gill, Gustav Metzger, Sue
Tompkins |
‚ |
|
|